Progress on my current WIP, DEADGOD, has been pretty slow as of late. I’ve really only been working on it about once or twice a week, maybe contributing 300 – 1,000 words on any of those days. I used to attribute it to my large course load during my final semester of college, which had me writing a lot of pretty big papers and reading a lot of texts. But now I don’t have any of that. I have my degree, but I’m still working on getting a full-time job. I have an abundance of free time, which also means I’m not making much money (Although, if you’re inclined to help me out then click on one of the book covers to your left and pick up a copy of one of my books!)
However, I’ve had what appears to be some sort of revelation the past few days. When I started DEADGOD I wanted to write some kind of book about cultural, religious, and social tolerance. I wanted to make a social commentary on American culture, seeing as how that’s the one I’m most familiar with, and show how intolerance can shape the world into an awful place. In order to do that, I created a religiously intolerant character in a world with one remaining religious man. I had a concept, and I knew how I wanted this religiously intolerant character to arc and learn from his behavior, but there was just something missing on my part. Something wasn’t driving me to tell this story. Part of it was because I really wasn’t pushing myself to sit down and write, which I can only blame on myself. But I think I’ve realized that I had a basic idea of the theme I wanted to convey in this novel, but I hadn’t really figured out how I was going to show it.
Now, as some of you may know, I write a column entitled Maglomediac in which I study and analyze various media. I think this has really helped me to understand the themes I want to tell in this novel and nail them down. When people think of the word media, most often they think of the news, meaning that I’ve been taking a look at it more on a cultural level–why it’s happening, to whom it’s happening, is it a result of some kind of social stigma? pseudo-environment? and things of that nature–which has allowed me to see it on a deeper level and apply it to my writing.
I now have some of the tools to be able to show the ideas and themes I want to portray in this book. By showing religious intolerance, political and religious zeal, and some of the concepts and ideas that are common today, which one could argue are contributing to a sort of devolution and backwards thinking in society, I can show why we need to correct these behaviors. Or, at least, I can show why I think we need to correct these behaviors.
After finally unearthing the deeper ideas about what exactly I want to show with this novel, not only have I been motivated to create the characters and world needed to show the themes I want to convey, but it has definitely made the writing stronger, too. It has given me a further look into the characters motivations and beliefs, and I can see much more clearly now why these character think, act, and speak the ways in which they do, and I think it’s making my novel really strong, and when it’s finished it will certainly